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November 23rd, 2014

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Hamza El Din sings Nubian music

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The therapeutic value of music was discovered by the Arabs as medieval hospitals hired musicians to play sweet music at night to soothe the sleepless.


Where Flamenco Meets the Middle East

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Egyptian guitarist Ali Khattab brings together Flamenco and Arabic music on his new CD titled Al-Zarqa. The album came out a few weeks ago, released by Madrid’s reputable Nuevos Medios label.

Although Ali Khattab has been living and studying Flamenco in Spain in recent years, he recorded Al-Zarqa in Cairo, with a large ensemble of musicians, including two special guests, Omar Beshir on oud and Abdou Dagher on violin.

Al-Zarqa presents traditional flamenco forms combined with the Arabic sounds of Egypt and Arab-Andalusian influences. Ali Khattab is a skilled guitarist and does not hesitate to venture into the more difficult flamenco forms. He uses traditional Flamenco rhythms such as the buleria, performed with Middle Eastern/North African percussion instruments.

“The term Al-Zarqa harkens back to the time of Al Andalus. The Arabs in the Iberian Peninsula called a type of dark haired woman with blue eyes Al Zarqa, a Moorish woman with pale eyes,” says Khattab. “Since my compositions are born out of the influence of the Middle East and flamenco, of east and west, I think it was very appropriate to use it to give title this project.

Flamenco palos (genres) such as soleá, seguiriya, taranta, tangos and rumbas are gathered here together with its eastern ancestors, the traditional maqamat of the Middle East, hijaz, rast, nawaathar, and nahawand.

With this music I started a voyage to far away times, mixing delicately the rhythms of the desert with echoes and sounds of ancient tribes. Without lyrics or language, without borders or territories, I wanted to take my music to its origin, an unknown place, full of mystery: the true roots of music.”

Ali Khattab, born in Cairo in 1977, became a professional musician at 17. His passion for Flamenco and Andalusian music led him to one of the cradles of flamenco, Jerez de la Frontera. He spent a lot of time in Andalusia, meeting and performing with influential flamenco musicians, singers, guitarists, and dancers who introduced him to the essence of flamenco.

A. Romero
World Music Central

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