Rare Arabic 78 RPM Records Enter the Public Domain
SOURCE: OPEN CULTURE
Public Domain Day is not just about the famous works that get released—-this year Milne’s Winnie-the-Pooh and Hemingway’s The Sun Also Rises were the best known-—but the archives that suddenly open up when any potential argument over copyright bypasses its sell-by date.
For example, Harvard’s Loeb Music Library has just released a selection from its 600-volume 78rpm collection of Arab and Arab-American music from the early 20th Century. The Library’s collection spans roughly 1903 to the 1950s and is not just a record of the aesthetics and the time of the Nahdah Era (the Arab Renaissance), but it also serves as a history of the still-young music industry. Among the RCA, Columbia, and Victor labels, you will also find many independent (and bootleg!) labels.
Harvard’s website notes:
Arab record companies, such as Baidaphon and Cairophon, are only a few among many other American (Columbia, Victor), European (Odeon, Orfeon), and Arab-American companies (Al-Chark, Alamphon) that recorded and released these notable Arab voices. Songs and performers from Egypt, Syria, Lebanon, Palestine, Iraq and Al-Maghrib exhibit the rich tradition of Arabic musical forms, namely the art of al-mawwāl (vocal improvisation), qaṣīdah (sung poems), muwashshaḥ (Andalusian sung poetry), ṭaqṭūqah (pop songs) and taqsīm (instrumental improvisation. Religious chants are also an important piece of the Arabic musical tradition. The collection includes Qur’anic recitation of Al-shaykh Ṭāhā Al-Fashnī and a rare record of a woman reciter Wadūdah Al-Minyalawī alongside Christian hymns of Father Gigis ʻAzīz Al-Jizzīnī.
A selection of recordings are available here for both online listening and download, using the Aviary Platform.
All this is happening due to the Music Modernization Act of 2018, which differs in its public-domain release dates by a few years compared to print and film. According to Citizen DJ, a website we told you about several years ago, “all sound recordings published before January 1, 1923 entered the public domain on January 1, 2022.”
The trick of course is getting access to all of these recordings. The Library of Congress runs a site called The National Jukebox, with access to thousands of 78rpm records from Victor and Columbia labels. That allows you to listen but not download.